Fear is one of more common themes in political advertisements. Consider this political ad from 1949, which was seen in the Pittsburgh, Pennsylvania area:
I think this speaks for itself. It almost makes the Willie Horton ads from the 1988 presidential campaign seem tame.
So… who’s the Republican bogeyman for 2010? This poster was recently (October 2010) seen in Shreveport, Louisiana:
(Hat tip to Dailykingfish.com for the image.)
NOTE: This picture at the top is from the excellent book, One Shot Harris: The Photographs of Charles “Teenie” Harris. Harris was a photographer who worked for the Pittsburgh Courier, which was one of the nation’s top black newspapers.
The book contains photographs taken by Harris from the 1940s through the 1960s. Black Issues Book Review said this about Harris and the book:
One Shot Harris is pure soul. Though Harris photographed people living in poverty, most of his photos break away from the all-too-familiar images that oftentimes represent blacks during hard times. Instead, Harris focused on local folk–proud at work and at home–along with numerous celebrities to convey cultural pride. He took particular pleasure in highlighting The Hill District, the Pittsburgh neighborhood where many African Americans flocked seeking employment and entertainment.
“What I’d like for readers to take away from this book,” says writer Stanley Crouch, “is that Harris shows that these black communities, regardless of all stereotypes, were as civilized as any community in the entire western world.”
The book contains an essay by noted writer Stanley Crouch, and a biography of Harris by African American photography scholar Deborah Willis. Highly recommended.
The Rev. Dr. Martin Luther King, Jr. is my hero. His leadership, intellect, courage, and ambassadorship to white America and the world at large make him deserving of all the recognitions and honors that he’s received.
Yet, I am filled with ambivalence every time we come to another MLK Jr Day. Yes, Dr. King was a great man. But he was not an army of one.
The Civil Rights Movement had numerous heroes and martyrs. All of them deserve recognition. Rather than a day to celebrate the memory of King, I would have preferred a Nation Civil Rights Movement Day to celebrate all of those who were a part of the Movement.
For example, my other “favorite” super-hero from the Movement is Mississippi’s Fannie Lou Hamer. She started
working in the fields when she was six, and was only educated through the sixth grade. She married in 1942, and adopted two children. She went to work on the plantation where her husband drove a tractor, first as a field worker and then as the plantation’s timekeeper. She also attended meetings of the Regional Council of Negro Leadership, where speakers addressed self-help, civil rights, and voting rights.
In 1962, Fannie Lou Hamer volunteered to work with the Student Nonviolent Coordinating Committee (SNCC) registering black voters in the South. She and the rest of her family lost their jobs for her involvement, and SNCC hired her as a field secretary. She was able to register to vote for the first time in her life in 1963, and then taught others what they’d need to know to pass the then-required literacy test. In her organizing work, she often led the activists in singing Christian hymns about freedom: “This Little Light of Mine” and others.
She helped organize the 1964 “Freedom Summer” in Mississippi, a campaign sponsored by SNCC, Southern Christian Leadership Conference (SCLC), the Congress of Racial Equality (CORE), and the NAACP.
In 1963, after being charged with disorderly conduct for refusing to go along with a restaurant’s “whites only” policy, Hamer was beaten so badly in jail, and refused medical treatment, that she was permanently disabled.
Hamer is most famous for her work as Vice-Chair of the Mississippi Freedom Democratic Party, sometimes called the “Freedom Democrats,” in 1964. The Freedom Democrats challenged the seating of Mississippi’s all-white and anti-civil rights delegation to the Democratic National Convention of that year as not representative of all Mississippians. The Freedom Democrats brought national attention to the plight of black people in the state, and led to reforms in the way persons are seated at the Democratic Convention.
In 1972 the Mississippi House of Representatives passed a resolution honoring her national and state activism, by a vote of 116 to 0. This was an extraordinary recognition, given the state’s resistance to integration. Hamer died in Mississippi in 1977.
To me, no understanding of the Movement can be complete without knowing her story. But as I talk to people about Civil Rights history, especially young people, I am saddened that they have little or no idea of who she was or what she accomplished.
What is Environmental Racism? Here’s a description from Wikipedia, the free encyclopedia:
Environmental racism refers to intentional or unintentional racial discrimination in the enforcement of environmental rules and regulations, the intentional or unintentional targeting of minority communities for the siting of polluting industries, or the exclusion of minority groups from public and private boards, commissions, and regulatory bodies.
Since the term “environmental racism” was coined, researchers have investigated why minorities are more likely than whites to reside in areas where there is more pollution.
Some social scientists suggest that the historical processes of suburbanization and decentralization are examples of white privilege that have contributed to contemporary patterns of environmental racism.
In the United States, the wealth of a community is not nearly as good a predictor of hazardous waste locations as the ethnic background of the residents, suggesting that the selection of sites for hazardous waste disposal involves racism. These minority communities may be easier targets for environmental racism because they are less likely to organize and protest than their middle or upper class white counterparts. This lack of protest could be due to fear of losing their jobs, thereby jeopardizing their economic survival.
In brief, environmental racism is the idea that black communities, because of their economic or political vulnerabilities, are targeted for the placement of noxious facilities, locally unwanted land uses, and environmental hazards.
The main victims of environmental racism have been poor black areas in the South. The ground breaking book Dumping in Dixie by Dr. Robert D. Bullard was one of the first to provide details on this disturbing phenomenon.
Bullard’s book was written in 1990. Fast forward to 2009, and it doesn’t look like things have changed at all. In December of last year, there was a huge spill of toxic coal ash around Kingston, Tennessee. The clean-up effort – you guessed it – seems to include a lot of dumping in Dixie.
Here are links to some recommended reads.
Ellen Holly (1931- ) is an American actress, the first black actress ever to appear regularly on a soap opera. She played Carla Hall on “One Life to Live” from 1968 to 1985. She also played the president’s wife in “School Daze” (1988).
Holly grew up in New York, the daughter of a chemical engineer and a librarian. She studied acting at Hunter College and went on from there to act on stage. By 1956 she was on Broadway. She got in to the Actors Studio, the first black woman ever to do so. She later got parts in film and television too.
In 1968 Holly wrote a letter to the editor of the New York Times about what it was like to be a light-skinned black woman. Agnes Dixon, who was then starting a new soap called “One Life to Live”, read that letter. It led her to create the character of Carla Gray (later Hall). She offered the part to Holly herself. Holly took it and became the first regular black female character on a soap. Other soaps soon followed their lead and had black characters of their own too.
I remember watching Holly on One Life to Live as a teenager. At the time, I didn’t appreciate that she was breaking new ground for black actors in the soaps.
I can see why so many people thought she was white: it wasn’t until the late 1960s that color TVs started selling in large numbers. On black and white TV, her light skin did make her look white.
She started out on the show doing a story line where she is a black person passing for white. A white male character on the show actually proposed to her, but she had to reject the proposal because she was not white. I later found out that the theme of the “tragic mulatto who passes for white” was a not an uncommon one for Hollywood (see Imitation of Life). But at the time, I was shocked that this kind of race-sensitive stuff was being shown on daytime television.
Monroe, Louisiana is a city of about 50,000 in north central Louisiana. It’s about a half hour drive from Grambling University. The following is from a recent story in the Monroe Free Press, which is one of the city’s African American newspapers:
Monroe: The city where it’s safe to say Nigga
City won’t fire or reprimand foul mouthed department heads
It started a few years back when we started reporting about the tendency of our police chief to curse and use extremely foul and graphic language publicly. In one instance he even told the police chief of Sterlington to get under the table and suck his…
There were no reprimands, lost days of pay, or other slaps on the wrist. The subliminal message is that such language is acceptable for department heads…
The most recent problems occurred this year when Sean Benton the Superintendent of Monroe’s Water Distribution plant was accused of referring to black employees of his department as Niggas and routinely using foul language and expletives in his references to others. Police had to be called once when Benton took off his shirt to fight a subordinate…
What raises eyebrows is that Benton is black. Most of his “Nigga” comments were made to blacks. The issue that this raises is whether or not “Nigga” is an generally offensive by whites but acceptable when used by blacks.
Because Benton has not been fired or reprimanded by the city’s black mayor it appears to be an endorsement of “Nigga” as acceptable language for a black professional in a department head status to use toward subordinates.
There’s been a slew of articles written in the past year or so about Tyler Perry. A recent piece about him in Entertainment Weekly, titled Tyler Perry: The Controversy Over His Hit Movies, claims to go “inside black America’s secret culture war”:
Based on true events in the midst of the 2000 election, AMERICAN VIOLET tells the astonishing story of Dee Roberts (critically hailed newcomer Nicole Beharie), a 24 year-old African American single mother of four young girls living in a small Texas town who is barely making ends meet on a waitress salary and government subsidies.
On an early November morning while Dee works a shift at the local diner, the powerful local district attorney (Academy Award® nominee Michael OKeefe) leads an extensive drug bust, sweeping her Arlington Springs housing project with military precision. Police drag Dee from work in handcuffs, dumping her in the squalor of the womens county prison. Indicted based on the uncorroborated word of a single and dubious police informant facing his own drug charges, Dee soon discovers she has been charged as a drug dealer.
Even though Dee has no prior drug record and no drugs were found on her in the raid or any subsequent searches, she is offered a hellish choice: plead guilty and go home as a convicted felon or remain in prison and fight the charges thus, jeopardizing her custody and risking a long prison sentence.
Despite the urgings of her mother (Academy Award® nominee Alfre Woodard), and with her freedom and the custody of her children at stake, she chooses to fight the district attorney and the unyielding criminal justice system he represents. Joined in an unlikely alliance with an ACLU attorney (Tim Blake Nelson) and former local narcotics officer (Will Patton), Dee risks everything in a battle that forever changes her life and the Texas justice system. AMERICAN VIOLET also stars Emmy Award® winner Charles S. Dutton and Xzibit.
Here’s the movie trailer:
This is an independent movie, and is not in wide release. But if it is in your town, it might be worth a look.
The movie is based on a true story, which is detailed here. Another site has an engaging interview with Regina Kelly, upon whom the Dee Roberts character is based. Kindly enough, the video was placed on Youtube:
Today, Aptil 9th, is the 111th birthday of Paul Robeson. He is a giant of our culture whose contributions should be celebrated by all, black, white, or other.
This is from Robeson’s entry in wikipedia:
Paul LeRoy Bustill Robeson (April 9, 1898–January 23, 1976) was an Afro-American actor of film and stage, All-American and professional athlete, writer, multi-lingual orator, lawyer, and basso profondo concert singer who was also noted for his wide-ranging social justice activism.
A forerunner of the civil rights movement, Robeson was a trades union activist, peace activist, Phi Beta Kappa Society laureate, and a recipient of the Spingarn Medal and Stalin Peace Prize. Robeson achieved worldwide fame and recognition during his life for his artistic accomplishments, and his outspoken, radical beliefs which largely clashed with the colonial powers of Western Europe and the Jim Crow climate of pre-civil rights America.
Paul Robeson was the first major concert star to popularize the performance of Negro spirituals and was the first black actor of the 20th century to portray William Shakespeare’s Othello. His 1943-44 Broadway run of Othello still holds the record for the longest running Shakespeare play. Despite Robeson’s vocal dissatisfaction with movie stereotypes, his roles in both the American and British film industry were some of the first parts ever created that displayed dignity and respect for the African American film actor, paving the way for Sidney Poitier and Harry Belafonte.
At the height of his fame, Paul Robeson decided to become a primarily political artist, speaking out against fascism and racism in the US and abroad as white America failed post-World War II to stand up for the rights of people of color. Robeson thus became a prime target of the Red Scare during the late 1940s through to the late 1950s.
His passport was revoked from 1950 to 1958 under the McCarran Act and he was under surveillance by the U.S. Federal Bureau of Investigation and Central Intelligence Agency and by British MI5 for well over three decades until his death in 1976. The reasoning behind his persecution centered not only on his beliefs in socialism and friendship with the peoples of the Soviet Union but also his tireless work towards the liberation of the colonial peoples of Africa, the Caribbean and Asia, his support of the International Brigades, his ardent efforts to push for anti-lynching legislation and the integration of major league baseball among many other causes that challenged worldwide white supremacy.
Condemnation of Robeson and his beliefs came swiftly, from both the white establishment of the US, including the United States Congress, and many mainstream black organizations including the National Association for the Advancement of Colored People (NAACP). This mass vilification by the American establishment blacklisted and isolated Robeson for the latter part of his career.
Despite the fact that Paul Robeson was one of the most internationally famous cultural figures of his era, the persecution virtually erased him from mainstream culture and subsequent interpretations of 20th century history, including civil rights and black history.
Paul Robeson sings Ol’ Man River in the 2nd version (1936) of Showboat: “Colored folks work on de Mississippi / Colored folks work while de white folks play / Pullin’ dose boats from de dawn to sunset / Gittin’ no rest till de judgement day.”
The most notable aspect of Paul Robeson is that he always fought for the dignity and progress of the race, no matter what the personal cost. And as said above, that cost was very, very high.
To those who don’t know about Paul Robeson: please, find out and learn. This is a man who lost fortune, fame… everything… in the furtherance of the cause of African American progress.
His name deserves to be invoked among the pantheon of American and African American giants. Don’t let those who sought to destroy him and his legacy be successful.
Celebrate his life.
As reported by the Washington Post in its article Racism Rears Its Head in European Remarks on Obama, the election of Barack Obama to US president hasn’t been hailed universally across the globe:
Europe erupted in cheers to celebrate Barack Obama’s election as president, but the continent is seeing its share of insensitive racial blunders, too.
Over the past week, a number of European lawmakers and journalists have made foot-in-mouth comments regarding America’s black president-elect, suggesting that some otherwise respected public figures in Europe are far from enlightened on racial matters.
The day after Obama’s victory, a leading Austrian television journalist said on camera that he “wouldn’t want the Western world to be directed by a black man.” A Polish lawmaker stood up in Parliament and called the election result “the end of the white man’s civilization.”
Some racist comments have come from people who have expressed such views before. “Africa Conquers the White House,” read a headline on the Web site of the National Democratic Party of Germany, a political party that sympathizes with neo-Nazi groups. In an accompanying article, Jürgen Gansel, a party leader and an elected lawmaker in the German state of Saxony, blamed Obama’s victory on “the American alliance of Jews and Negroes.”