This is a monument in York County, South Carolina, to memorialize the “Faithful Slaves” of the the Civil War.
Faithful Slaves Memorial, York County, South Carolina; from The Historical Marker Database
The monument reads in part:
Dedicated to the faithful slaves who loyal to a sacred trust toiled for the support of the army with matchless devotion and sterling fidelity guarded our defenceless homes, women and children during the struggle for the principles of our Confederate States of America.
Full details of the monument are here. The comments at the link say that the thirteen-foot marble monument “is a tribute to the faithfulness of the Southern negro to the women and children of the South during the war… (and) probably the only one of its kind in the South.”
The folks who built this monument may well have been heartfelt in their motivations. But looking at it from my own vantage point, I find the thing disturbing and perverse.
I am going to describe the memorial with a metaphor that some might find objectionable… don’t say I didn’t warn you. To me, this memorial is akin to a rapist thanking a rape victim for being quiet during the act, thereby not alerting others to what was happening.
In both cases, thanks are being given for an action that benefits the victimizer, but does nothing to help the victim.
I can see why these folks would feel gratitude toward the slaves that are honored by this monument. In 1860, there were over three and a half million slaves in the South. But by the end of the Civil War, some estimates say that over 500,000 slaves fled their masters to go to contraband camps, head North, or otherwise seek freedom. Many males slaves joined the Union army or served the army in support roles. Meanwhile, many of the slaves who didn’t flee aided and abetted the Union effort by serving as spies, guides, or providing other support.
So, any slave who stayed with and supported their masters and masters’ families was undoubtedly seen as a blessing.
The thing is, this memorial is all about what the slaves did for their masters. I think it’s fair to ask, what did the slaves receive in return? Did they receive their freedom? Did they receive land or property, or reimbursement at a fair wage for their labors? Did they receive any political rights? The answer to these questions appears to be no.
Ultimately, I find this memorial to be self-serving and hollow.
I’m sure that the monument’s builders believed they were doing a good thing. But thanking a slave for being a good slave… that doesn’t resonate with me at all. If I was a slave, my reaction would be “thanks massa… thanks for nothing.”
Now, here’s a memorial I’d like to see. It features a huge statue, with a group of white men on one side, and a group of slaves on the other. The white men include Jefferson Davis (President of the Confederacy), Alexander Stephens, (Vice-President of the Confederacy) or John C. Calhoun (a leading proponent of slavery and secession prior to the Civil War). Their mouths are open, their faces etched with a mournful apology. On the other side, the slaves have a blank but measuring stare, as if they are trying to make sense of words that they never expected to hear.
On the base of the monument, there are two words: “We’re Sorry.”
Are there any such monuments in the South, or anywhere in this country? There should be.
(Hat tip to cwmemory.com )
I was very surprised to read this story about a monument that is planned for Charleston, SC:
In an event sure to rekindle the racially polarized debate over Denmark Vesey’s place in history, a site in Hampton Park was dedicated Monday for a monument to the man hanged for plotting a slave rebellion in Charleston.
A model of the new Denmark Vesey Memorial that will be erected in Hampton Park, designed by Ed Dwight.
To the local politicians, religious leaders and historians at the event, Vesey was a civil rights leader acting on a universal desire for justice that unites all people. Monument designer Ed Dwight favorably compared Vesey to Dr. Martin Luther King Jr.
But this is Charleston, where the hanging of a portrait of Vesey in the municipal auditorium in 1976 — more than 150 years after Vesey was himself publicly hanged — prompted much criticism, and the theft of the painting. “It was very controversial,” College of Charleston history professor Bernard Powers Jr. said. “People were writing to The (Charleston, SC) News and Courier expressing outrage that the portrait of a criminal could be hung in a public place.”
An article about the memorial, including a model of the memorial statue, is here.
There is no doubt that the story of Denmark Vesey is compelling. Wikipedia provides a summary:
In 1781, Vesey was purchased by Captain Joseph Vesey from the then-Danish Caribbean island of St. Thomas. He labored briefly in French Saint-Domingue (present-day Haiti), and then was settled in Charleston, South Carolina as a youth, where Joseph Vesey kept him as a domestic slave. On November 9, 1799, Denmark Vesey won $1500 in a city lottery. He bought his own freedom and began working as a carpenter. Although briefly a Presbyterian, Vesey co-founded a branch of the African Methodist Episcopal Church in 1816. The church was temporarily shut down by white authorities in 1818 and again in 1820.
Inspired by the revolutionary spirit and actions of slaves during the 1791 Haitian Revolution, and furious at the closing of the African Church, Vesey began to plan a slave rebellion. His insurrection, which was to take place on Bastille Day, July 14, 1822, became known to thousands of blacks throughout Charleston and along the Carolina coast. The plot called for Vesey and his group of slaves and free blacks to slay their owners and temporarily seize the city of Charleston. Vesey and his followers planned to sail to Haiti to escape retaliation.
Two slaves opposed to Vesey’s scheme leaked the plot. Charleston authorities charged 131 men with conspiracy. In total, 67 men were convicted and 35 hanged, including Denmark Vesey.
It’s important to note that no actual slave revolt took place. Vesey and his people were basically tried on the basis of conspiracy charges.
I admit to being surprised that something as controversial as this – a monument to a person who was accused of planning a slave revolt – is being built in South Carolina, of all places. The state has been embroiled in controversies over the presentation of history, such as the display of the Confederate flag on the state capital grounds.
But perhaps I’m overreacting. It could just be that things have progressed to the point that it’s possible to place these issues in public sites and public memory, even in South Carolina. It’s heartening to see, in any event.